Alighieri Dante. Nattini Amos. La Divina Commedia. Immagini di Amos Nattini. Officine dell'istituto nazionale dantesco, Milano, 1931-1941. 3 volumes
First edition in italian language
First edition of the largest Divine Comedy ever printed, issued in three volumes (Inferno, Purgatorio, Paradiso). The project was promoted by the Italian Dante Institute (commissioned in 1921) and completed between the 1920s and 1940s; the edition is frequently described as “the largest Divine Comedy ever printed.” Copy no. 502, prepared for Biagio Borriello, from the deluxe limited edition of 1,000 numbered copies. Biagio Borriello was an Italian shipping entrepreneur and politician, active primarily in Naples during the first half of the twentieth century. Illustrated by the painter Amos Nattini (1892-1985). Nattini began work on the illustrations for the Inferno in 1919 and, encouraged by prominent figures of the time, including D’Annunzio, continued the undertaking over the following twenty years. He produced 100 colour lithographic plates, one for each canto. Three atlas folio volumes (32,28×25,59in). Engraved text (copperplate), printed in two columns within ornamental borders; the typeface is often described as being “in gold”. Original calf bindings in varying tones corresponding to each cantica (darker for the Inferno, lighter for the Purgatorio, and pale for the Paradiso), each upper and lower cover centred with a different lighter-toned leather bas-relief designed by Nattini. Spine fitted with metal bosses and clasps. Complete copy, including the final two cantos of the Paradiso. In 1941, the printing works were destroyed during wartime bombing. After the war, subscribers were contacted and offered completion of their sets, although not all proceeded for various reasons. Restoration to the front joint of the Inferno volume. Breaks to the fastening straps. A genuine and well preserved copy.
Folio atlantico (32,28×25,59in). Three volumes.
Private collection
Restoration to the front joint of the Inferno volume. Breaks to the fastening straps. A genuine and well preserved copy.
Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers must understand that any statement made by Coradi Rare Finds is merely a subjective opinion.
Alighieri Dante - Florence September 13 1265 – Ravenna September 15 1321; is one of the most influential figures in Western literature and is widely regarded as the "Father of the Italian language." A poet, philosopher, and political thinker, Dante's works profoundly shaped both medieval and modern thought. His masterpiece, The Divine Comedy, remains a cornerstone of world literature.
Life and Historical Context
Dante was born in 1265 in Florence, Italy, into a prominent but not wealthy family.
He was well-educated in literature, philosophy, and theology.
In his youth, he fell in love with Beatrice Portinari, who would inspire much of his poetic work, even after her untimely death in 1290.
Dante was deeply involved in the politics of Florence, which was divided between two factions: the Guelphs (supporters of the Pope) and the Ghibellines (supporters of the Holy Roman Emperor).
As a member of the Guelph faction, he served in various public roles, but internal divisions among the Guelphs (between the White and Black Guelphs) led to his downfall.
In 1302, Dante was exiled from Florence after the Black Guelphs seized power. He spent the rest of his life in exile, moving between various courts in Italy.
During his exile, Dante wrote his most significant works, including The Divine Comedy.
He died in Ravenna in 1321, where he is buried.
Major Works
1. The Divine Comedy (La Divina Commedia)
Structure: Written in Italian, this epic poem is divided into three parts: Inferno (Hell), Purgatorio (Purgatory), and Paradiso (Paradise). Each part consists of 33 cantos (chapters), plus an introductory canto, making 100 cantos in total.
Plot: The poem narrates Dante's journey through the three realms of the afterlife, guided by the Roman poet Virgil (Inferno and Purgatorio) and Beatrice (Paradiso). It is both an allegory of the soul's journey toward God and a critique of the political and spiritual corruption of Dante's time.
Themes: Salvation, divine justice, morality, love, and the human condition.
2. Vita Nuova (The New Life)
A collection of poems and prose celebrating Dante's love for Beatrice. It combines autobiographical elements with reflections on love and poetry.
3. De Monarchia
A Latin treatise advocating for a universal monarchy under the Holy Roman Emperor, separate from papal authority.
4. Convivio (The Banquet)
An unfinished philosophical work in Italian, combining poetry and commentary, exploring ethics, philosophy, and human happiness.
5. De Vulgari Eloquentia (On Eloquence in the Vernacular)
A Latin treatise discussing the use of vernacular language in literature and its superiority over Latin for certain purposes.
Dante’s influence extends far beyond literature.
He helped establish the use of the Italian vernacular, which contributed to the unification of Italian as a language.
His Divine Comedy has inspired countless works of art, music, and literature.
Modern philosophers, theologians, and political theorists continue to study his ideas.
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